work |
Projects: splash |
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b. Toronto. Lives in London, UK | |
EDUCATION | |
2006 | MFA Goldsmiths College, London |
2000 | AOCAD Diploma, Ontario College of Art and Design, Toronto |
1996-98 | Fine Art Program, Concordia University, Montreal |
SOLO EXHIBITIONS | |
2024 | English Paintings, Vardaxoglou, London. |
Les Rapports, Bradley Ertaskiran, Montreal | |
2023 | Extended Family, Vardaxoglou, London |
Foliates, Sundy, London | |
2022 | Partitions, Galeria Nuno Centeno, Porto |
2021 | Common Eras, Bradley Ertaskiran, Montreal |
2020 | Thank you India, Goodbye Pakistan, Hello England, Freehouse, London |
2019 | Maghrib, Parisian Laundry, Montreal |
2015 | I & I, Kunsthalle Winterthur, Winterthur |
Licking Forward Tangerine, noshowspace, London | |
2014 | CAPITAL!, Galerie Michael Janssen, Berlin |
One Minus One, Ana Cristea Gallery, New York | |
2013 | Wishful Thinking, Vous Etes Ici, Amsterdam |
Shaan Tariq Hassan-Syed, Birch Libralato, Toronto | |
2011 | Hole, Vous Etes Ici, Amsterdam |
2009 | Please Play By The Rules, Galerie Michael Janssen, Berlin |
2008 | Stage, Birch Libralato, Toronto |
2007 | Arena, Brown, London |
2005 | Crowds and Constellations, PlugIn ICA, Winnipeg and Art Gallery of Windsor |
2004 | Two Dogs Fucking, Mercer Union Peephole, Toronto |
2003 | People Systems, Robert Birch Gallery, Toronto |
SELECTED GROUP EXHIBITIONS | |
2024 | Unreal City; Abstract Painting in London, Saatchi Gallery London. |
2023 | Gifts from the Future; Selections from the Carolyn Glasoe Bailey Foundation Collection, Museum of Contemporary Art Santa Barbara |
2022 | There Goes the Neighbourhood, Indigo + Madder, London |
What Now?, PM/AM Gallery, London | |
Abstract Hallelujah, Lundgren Gallery, Palma Mallorca | |
2021 | Slow Burn, Indigo + Madder, London |
2020 | Offering, cur. by Fynn Leitch, Art Gallery of Peterborough, Ontario |
When You Waked Up the Buffalo, cur. by Ben Lee Ritchie Handler, Nicodim Gallery, LA | |
2019 | A Tapered Teardrop, Terrace Gallery, London |
The Inhuman/Difficult Transition, cur. by Andrea Medjesi-Jones, Thames-Side Studios, London | |
2018 | The Other Side, cur. by Justine Kohleal, The PowerPlant, Toronto |
Destroyed by Shadows, Cornerstone Gallery at Liverpool Hope University, Liverpool | |
A Stranger Comes to Town, cur. by Norte Maar, Spring Break Art Show 2018, New York | |
Here, cur. by Swapnaa Tamhane, Aga Khan Museum, Toronto | |
2016 | John Moores Painting Prize 2016, Walker Art Gallery, Liverpool Biennial, Liverpool |
Manuel Graf and Shaan Syed, Herrmann Germann Contemporary, Zurich CH | |
Shaan Syed and Sam Windett, Patrick De Brock Gallery, Knokke BE | |
Works in Series, noshowspace, London | |
2015 | The People’s Pamphlets, cur. by Jessica Cochrane, Spudnik Press, Chicago |
The Violet Crab, cur. by Than Hussein Clarke and Vincent Honore, David Roberts Art Foundation (DRAF), London | |
New Century Abstracts, cur. by Carla Garnet, Art Gallery of Peterborough, Peterborough and Thames Art Gallery, Chatham-Kent | |
2014 | On White, Geukins & DeVil, Antwerp and Knokke |
Emergency 6 Biennial, Aspex Gallery, Portsmouth | |
Patrick De Brock Gallery, Knokke | |
2013 | Synesthesium, with Benjamin Brett and Stuart Cumberland, Ana Cristea Gallery, New York |
2012 | Paper Does Not Blush, Galerie Michael Janssen, Berlin |
2011 | The Multiple Show, Vous Etes Ici, Amsterdam |
Fade Away, Transition Gallery, London and Gallery North, University of Northumbria | |
Inbetween, Doris McCarthy Gallery at the University of Toronto, Toronto | |
2010 | Fifteen, cur. by Louise Hutchinson and George Henry Longly, S1 Artspace, Sheffield |
Addendum, La Salle de Bains, Lyon | |
Jerwood Contemporary Painters 2010, Jerwood Space, London, Project Space, Leeds, Durham Art Gallery, Durham | |
Sophisticated Boom Boom (in Black and White), Domo Baal, London | |
2009 | Baker’s Dozen, CGP Gallery, London |
Supersurface, Laurent Delaye Gallery, London | |
Niko’s Rear Entrance, West Brunswick Sculpture Triennial, Brunswick | |
2008 | ArtFutures 2008, Bloomberg Space, London |
Foreground Background, cur. by Swapna Tamhane, Elementa Gallery, Dubai | |
2007 | Where Something Becomes Nothing, S1 Artspace, Sheffield |
Distinction, Galerie Michael Janssen, Cologne | |
Sovereign European Art Prize Exhibition, Rochelle School, London | |
2005 | Wearetheartists, cur. by Oliver Kielmayer, International Biennale of Contemporary Art, National Gallery, Prague |
2004 | RBC 6th Canadian Painting Competition, Gallery One, Toronto (travelling nationally) |
2003 | RBC 5th Canadian Painting Competition, Museum London, London Ontario (travelling nationally) |
2001 | Expect Relevance, K3 Project Space, Zurich |
RBC 3rd Canadian Painting Competition, Gallery One, Toronto (travelling nationally) | |
SELECTED BIBLIOGRAPHY | |
2024 | Ghosh, Ravi. “The Conversation: Nurjahan Akhlaq and Shaan Syed”, ArtReview.com, 07 Mar 24 |
2023 | Frankel, Eddy. “Shaan Syed: Extended Family”, Time Out London, 23 Aug, 2023. |
2021 | Enright, Robert. “The Future Past; Painting in Our Time: Manuel Mathieu, Shaan Syed, Bea Parsons, Amanda Boulos”, Border Crossings, Issue 156 May 2021. |
2020 | Green, Mazzy Mae, “Negotiation and Reciprocity; Shaan Syed at Freehouse”, Modern Matter, July 2020 |
2019 | Mason, Shana Beth. “Exploration/Excavation: An Interview with Shaan Syed”, Frontrunner Magazine, June 2019. |
Tamhane, Swapnaa. “A Stubborn Way to Encourage Real Looking”, Canadian Art online, 15 Aug 2019 | |
2017 | Vali, Murtaza. “Toronto Reviews; Here: Locating Contemporary Canadian Artists, Aga Khan Museum, Toronto”, Artforum, (in print and online) November 2017 |
Taylor, Kate. “Bringing the Hyphen to the Nation”, Globe and Mail, July 28 | |
Ricco, John Paul. “The Commerce of Anonymity”. Qui Parle: Critical Humanities and Social Sciences Journal, Vol. 26. University of California at Berkely / Duke University Press | |
2015 | Mort, Anna. “Artist of the Week: Shaan Syed.” LVL 3 Media, Dec. 1 2015 |
2014 | Martinelli, Yasmine. “Feature Shaan Syed: All Capitals!” Lodown Magazine, Issue 94, 2014 |
Young, Paul David. “Not for Sale: Outside the Convention Center in Miami.” Hyperallergic, December 6, 2014 | |
In The Frame. “Artist’s Duvet Day Pays Dividends.” The Art Newspaper, December 2, 2014 | |
Munro, Cait. “The 10 Best Booths at UNTITLED.” Artnet News, December 4, 2014 | |
Balzer, David. “Miami Slideshow: Hot Art from the North and Beyond.” Canadian Art online, December 4, 2014. | |
Krishtalka, Sholem. “Notes on a Toronto/Berlin State of Mind”, Canadian Art online, April 23, 2014. | |
Grothe, Simon, “Die Kunst der Erinnerung.” Der Tagesspiegel, April 5, 2014, 17. | |
2013 | Basciano, Oliver. “The Andrew Project Book” ArtReview 65, no.7 (October 2013), 154. |
2010 | Vermoortel, Pieternel. “A Scene that Celebrates Itself; Conversation with Shaan Syed”, Tablet, Issue 03 2010. |
2006 | Eyland, Cliff. “Sarah Anne Johnson and Shaan Syed”. Border Crossings 25, no. 3 (August 2006), 117-118. |
2005 | Kielmayer, Oliver. “Erkentnis im Dunkeln.” Kunstbulletin, no. 10 (October 2005), 26-29. |
2004 | Driedger, Sharon Doyle. “Ten Artists Who Rock”. Maclean’s, January 12, 2004. 42. |
Kielmayer, Oliver. “Shaan Syed at Galerie Brigitte Weiss”, Canadian Art 21, no. 4 (December 2004), 78. | |
2003 | Proudfoot, Shannon. “15 Glimpses at Painting’s Future.” National Post, November 20, 2003, sec. E, 6. |
Dault, Gary Michael. “Intimacy Once Removed.” The Globe and Mail, August 16, 2003, sec. E, 3. | |
2001 | Govani, Shinan. “Searching for Jane.” The National Post, November 3, 2001, sec. E, 7. |
Fullerton, Kim. “Shaan Syed’s Tricks of Memory.” XTRA!, March 8, 2001. 33. | |
PUBLICATIONS and CATALOGUES | |
2024 | Conversation between Stephen Andrews and Shaan Syed, published on occasion of solo show “Les Rapports” at Bradley Ertaskiran, Montreal. |
2023 | Breathing Colour, essay by Omar Kholeif, published on the occasion of solo show “Foliates” at Sundy, London. |
2018 | RBC Canadian Painting Competition 1999-2018, RBC and Canadian Art, essay by Justine Kohleal, exh. catalogue. |
2017 | Here: Locating Contemporary Canadian Artists, Aga Khan Museum: Aga Khan Museum, ed. Toronto, essay by Swapnaa Tamhane, exh. catalogue. |
2015 | Shaan Syed: Catalogue. Kunsthalle Winterther, Kielmayer, Oliver ed. Cologne: Snoeck |
The People’s Pamphlets; Shaan Syed. Cochran, Jessica, ed. Chicago: Spudnik Press, artist edition pamphlet. | |
Green Apples Cum Shots Graffiti. London: noshowspace, artist book. | |
New Century Abstracts. Art Gallery of Peterborough and Art Gallery of Chatham, ed. Peterboroug: Art Gallery of Peterborough and Art Gallery of Chatham, exh. cat. | |
2014 | Shaan Syed’s Fruit Milk Shade, Garnet, Carla. Toronto: Open Studio, exh. pamphlet. |
100 Painters of Tomorrow. Beers, Kurt. London: Thames and Hudson 2014. | |
2013 | The Andrew Project; 1000 and Something Portraits in Toronto Berlin and London, 2010-2013. Syed, Shaan. London: S1 Artspace and FormContent 2013, artist book. |
2011 | The Responsive Subject: Guy Meese. FormContent, ed. London: FormContent, exh. cat. |
2010 | Chroma Design Architecture & Art in Color. Glasner, Barbara and Schmidt, Petra, ed. Basel: Birkhauser, 2010. |
Jerwood Contemporary Painters. Jerwood Visual Arts, ed. London: Jerwood Visual Arts, exh. cat. | |
2008 | Carte Blanche Vol. 2: Painting. Urquhart, Jane, ed. Toronto: The Magenta Foundation |
Foreground/Background. Tamhane, Swapna, ed. Dubai: Elementa Gallery, exh. cat. | |
Sovereign European Art Prize Exhibition. Sovereign Art School, ed. London: Sovereign Art Foundation, exh. cat. | |
2005 | Shaan Syed: Crowds and Constellations. Matijcio, Steven and Liss, David, ed. Winnipeg: PlugIn Editions, Exh. cat. |
RBC Painting Competition 10th Anniversary Book. Richard Rhodes, et al. Toronto: Royal Bank of Canada | |
AWARDS and GRANTS | |
2024 | Arts Council England DYCP Grant |
2018 | Canada Council for the Arts, Development Grant |
2013 | Pollock-Krasner Foundation Award |
Arts Council England / National Lottery UK, Project Grant | |
Canada Council for the Arts, Project Grant | |
2012 | The Elephant Trust |
2010 | Jerwood Contemporary Painters |
2006 | Canada Council for the Arts, Development Grant |
2003 | Canada Council for the Arts, Emerging Artist Grant |
COLLECTIONS | |
Art Gallery of Peterborough, Peterborough | |
Barts Health NHS Trust (VitalArts), London | |
Bank of America, Oklahoma | |
Bloomingdales, New York | |
CDPQ Global Investing, Montréal / London | |
Claridge Collection, Montreal | |
Collection Majudia, Montréal | |
Doris McCarthy Gallery, University of Toronto | |
Duke University Hospital Art Collection, Raleigh NC | |
EF Education First, Zurich | |
Goldsmiths College, University of London | |
Helabank, Berlin | |
Ivey Collection, London ON | |
Modern Forms, London | |
MoMa Library, New York | |
National Bank / Banque Nationale, Canada | |
National Gallery of Canada, Ottawa | |
RBC Royal Bank of Canada | |
Saatchi Collection, London | |
Scai The Bathhouse, Tokyo | |
Scotiabank, Canada | |
Soho House Group (Barcelona House), Barcelona | |
Stiftung Kunstlerhaus Boswil, Boswil | |
TD Canada Trust, Toronto | |
UBS Art Collection |